AN ETHNOGRAPHIC EXPLORATION OF THE CHANGE AND CONTINUITY OF THE ‘BHAONA’ TRADITION OF ASSAM

Authors

  • Dr. Kapou Malakar Assistant Professor, Department of Mass Communication and Journalism, Tezpur, India
  • Ms. Amrita Priyam Borchetia Former Post Graduate, Department of Mass Communication and Journalism, Tezpur University, India

DOI:

https://doi.org/10.29121/shodhkosh.v5.i6.2024.1581

Keywords:

Performing Tradition, Folklore, Bhaona, Assam

Abstract [English]

The performing tradition of Bhaona in Assam is unique and inclusive of its kind for it takes in skills, traditional values, motivations, and intellectual-spiritual course of the performers in narrating mythological characters besides the involvement of planners, organizers, Mukha makers, and audience. The shifts and deviations are noticed in the form, structure, and performance of the Bhaona including dialogue, stage, dress, make-up, and technical advancements with the gradual continuity of its participatory practice. The Bhaona tradition in Assam has shifted from a naive form that begins at Namghar, Sattra, and villages of Assam to an adaptable and informed variety as it moves to platforms, National and International. The changes in the tradition include the commercialization of the different components of the Bhaona tradition coupled with a widening scope of the audience at local, national, and international levels.

References

Neog, M. (1988). Early History of the Vaishnava Faith and Movement in Assam: Sakaradeva and His Times. (Guwahati: LBS, 1988), republished in 1998, New Delhi, India: Motilal Banarsidass Publisher

Neog, Maheswar. (1984). Bhaona: The Ritual Play of Assam, (New Delhi: Sangeet Natak Akademi, 1984), republished in the collections of Aesthetic Continuum Essays on Assamese Music, Drama, Dance and Paintings164-215, in 2008 New Delhi: R. Kumar Omsons Publications.

Nordveit B H, (2010), Towards Post Globalization? On The Hegemony of Western Education and Development Discourses. Globalization, Societies and Education, Vol. 8 No.3, pp.321-337 DOI: https://doi.org/10.1080/14767724.2010.505094

Sabido Miguel, Singhal Arvind, Michael J Cody, Rogers Everett (2004). Entertainment-Education and Social Change: History Research and Practice, Routledge Communication Series. DOI: https://doi.org/10.4324/9781410609595

Sarma Satyendra Nath, (1996). Asamiya Natya Sahitya, Guwahati : Samar Prakash.

Deva Goswami Kesavananda, (2001). "Ankiya Bhaona", Glimpses of the Vaisnava Heritage of Assam: 108.

Vatsyayan Kapila,(1980). Traditional India Theatre: Multiple Streams, New Delhi: NBT.

Mahanta Pradipj Jyoti, (1990)."Bhaona: The Traditional Vaisnavite Theatre", Glimpses of The Vaisnava Heritage of Assam (Guwahati: Asam Satra Sangha)

Dasgupta, Surendranath, ( 1922). A History of India Philosophy, ISBN 9788120804081, 8120804082 2014, Cambridge University Press, 1922, Republished in 2014 and 2015, A book from Archaeological Survey of India, source URL: http://asi.nic.in/asi_books/8897.pdf

McKee, N., Aghi M, Carnegie, R. & Shahzadi, N. (2004). Cartoons and comic books for changing social norms: Meena, the South Asian girl

Fuenzalida Fernandez Valerio (2011). A new meaning of educational television from school to audience’s everyday life Revista Comunicar, 2011 vol xvii n.36 pp.15-24 DOI: https://doi.org/10.3916/C36-2011-02-01

Story ,D, Bouley M Karki Y Hekert K & Karnacharya D (1999). Impact of the integrated radio communication project in Nepal 1994-1997, Journal of Health Communication, 4, 271-94, in Singhal A, Codey M J, Rogers E.M, & Sabido M (Eds) 2004 Entertainment education and social change: History, research, and practice, New York, NY Routledge DOI: https://doi.org/10.1080/108107399126823

Sharma, Khagen. (2003) Contribution of Sattras to Assamese Society, Gauhati University, Assam, India, Shodhganga- Traditions and Tribulation the Monastic Sattras of Assam, Chapter 7

Sharma Nabin Chandra, ( 1996). Asamiya Loka Natyar Parampara: Uttaran Sru Udbhavan", Asamiya NZiak: Parampara aru Paribartan, (Guwahati : LBS).

Barua, B. K. (2011). A Cultural History of Assam. Guwahati: Bina Library

Bhuyan Shiromoni, (2018). Ankiya Nat and Bhaona-An alternative media approach and its convergence with Ojapali in International Journal of Advance Research, Ideas and Innovations in Technology ISSN: 2454-132X, Volume 4, Issue 4

Bordoloi, Mayuri. (2004). The Changes in Bhaona: Tradition vis-a-vis Emerging Trends, Continuity and Change in the Performance of Bhaona: A Study with Special Reference to MatrbhasarBhaona, Chapter 5

Dutta, Parasmoni. & Sarma, Madan M. (2009), Baresahariya Bhaona: Community Drama Festival of Assam: A Living Tradition, Asian Theatre Journal, Volume 26, Number2, pp. 303-319 DOI: https://doi.org/10.1353/atj.0.0040

Gogoi, Nilanjana. (2016), A brief study on the unique form, representation, and utility of masks in the Vaishnavite monasteries of Assam, in Journal of Advanced Research in Social Sciences and Humanities Volume 1, Issue 1 Pg. No. 65-72 DOI: https://doi.org/10.26500/JARSSH-01-2016-0109

“Bhaona competition to be held in Golaghat District from January 16 to January 27” sentinel digital desk, published on November 15, 2021, The Sentinel. Retrieved during February 27, 2022.

Downloads

Published

2024-06-30

How to Cite

Malakar, K., & Borchetia, A. P. (2024). AN ETHNOGRAPHIC EXPLORATION OF THE CHANGE AND CONTINUITY OF THE ‘BHAONA’ TRADITION OF ASSAM. ShodhKosh: Journal of Visual and Performing Arts, 5(6), 875–893. https://doi.org/10.29121/shodhkosh.v5.i6.2024.1581