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ShodhKosh: Journal of Visual and Performing ArtsISSN (Online): 2582-7472
AI-Generated Compositions in Music Education Tanveer
Ahmad Wani 1 1 Professor,
School of Sciences, Noida International, University,203201, India 2 Greater
Noida, Uttar Pradesh 201306, India 3 Chitkara Centre for Research and Development, Chitkara University,
Himachal Pradesh, Solan, 174103, India 4 Associate Professor, Department of Management Studies, JAIN
(Deemed-to-be University), Bengaluru, Karnataka, India 5 Centre of Research Impact and Outcome, Chitkara University, Rajpura-
140417, Punjab, India 6 Assistant Professor, Department of Journalism and Mass Communication,
Vivekananda Global University, Jaipur, India 7 Department of Computer Engineering Vishwakarma Institute of
Technology, Pune, Maharashtra, 411037, India
1. INTRODUCTION 1.1. Background of Artificial Intelligence in creative arts Increasingly, Artificial Intelligence (AI) has been a disruptive influence in the creative arts, as it has transformed traditional understanding of authorship, creativity, and artistic output. Although originally created as a computational problem-solver, AI has since been developed into a creative partner which can generate visual art, literature, film scripts, and musical compositions. Its ability to handle large volumes of data, identify patterns, as well as imitate the creative aspects of thinking, allows artists to experiment in new areas of expression without being restricted by the constraints of human abilities. AI algorithms have the potential to learn based on large datasets of music and recreate styles, harmonies, and emotional expressiveness, which used to take years of human experience to build. The crossroads of AI and art has spawned an interdisciplinary aspect of inquiry that combines technology, psychology, and aesthetics, one that questions the human and machine-based creativity Ma et al. (2024). Artists are adding AI as a joint creator, where machine learning models are used to generate art, filter compositions or create interactive art experiences. As opposed to substituting the human imagination, the AI expands it and provides new possibilities of experimentation and interpretation. With this synergy expanding, it will require reconsidering the learning structures to equip the upcoming generation of artists to collaborate with and not oppose intelligent creative technologies Briot and Pachet (2020). 1.2. Emergence of AI-Generated Music and Its Growing Role The advent of AI-generated music is a major advancement in the development of technology as well as musical creativity. Algorithms that created structured pleasing music as aesthetic music were demonstrated by early systems of the 1950s, including the Illiac Suite by Lejaren Hiller. With time, improvements in machine learning and neural networks have facilitated AI to create elaborate melodies, harmonies, and even entire orchestral versions that cannot be distinguished with human compositions Ji et al. (2023). Figure 1 shows how AI-generated music has been changing its role in contemporary education. Current AIai such as the MuseNet artificial intelligence system, AIVA, and Amper Music, evaluates large musical composition databases to produce original music of any genre, mood, or style. Figure 1 |
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Table 1 Summary of Related Work on AI-Generated Compositions in Music Education |
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Technology Type |
Key Benefits |
Challenges |
Future Trends |
|
Generative AI and adaptive
learning tools (composition assistants, intelligent tutoring) Yu et al. (2023) |
Personalized learning,
real-time feedback, adaptive ear-training and theory tools |
Risk of over-reliance;
digital divide; necessary educator training; ethical and pedagogical
implications |
Growth of AI-based tutoring
and assessment; expansion into VR/AR for immersive learning; increased need
for AI-literacy among educators |
|
Symbolic generation, audio generation, hybrid models
(GANs, Transformers, diffusion, etc.) |
Extensive compositional and sound-design capabilities;
high-fidelity audio; diverse styles/genres |
Limitations in originality, long-term structure,
evaluation of “quality,” copyright/data-set issues |
Hybrid symbolic-audio generation likely to become
standard; more robust evaluation metrics; better tools for education and
creative workflows |
|
AI-powered language models
(GPT-style) used for composition guidance, creativity prompts Zhang et al. (2023) |
Enhanced creativity, novel
ideas, support for divergent/convergent thinking; expands composer’s toolbox |
Over-dependence;
risk that AI output dominates human input; requirement for pedagogical
framing and oversight |
Growing use of GPT-like
tools for composition teaching; more mixed-modality prompts (text, audio,
theory) to stimulate creativity |
|
Generative AI as a “scaffold” and creative partner Afchar et al. (2022) |
Lowers technical barriers; supports expressive growth;
builds confidence and self-regulation |
Ethical/pedagogical challenge: ensuring AI supports —
not replaces — human creativity; transparency in process |
AI frameworks designed for youth — focus on agency,
autonomy, and creative growth; emphasis on scaffolded learning rather than
output generation |
|
Multi-agent AI systems for
symbolic music analysis and feedback Messingschlager and Appel (2023) |
Enhances pattern
recognition, provides explainable feedback, assists composition and analysis
pedagogy |
Issues of transparency,
cultural bias, limitations of evaluation metrics for creative quality |
More modular, explainable AI
agents likely to be adopted in classrooms; greater emphasis on hybrid
evaluation standards combining human and AI-generated criteria |
|
Generative AI integration guidelines for classrooms |
Promotes responsible, ethical use; raises AI literacy
among teachers and students; encourages human-centered creativity |
Need for teacher training; need for assessment
frameworks; equity and access concerns; data-privacy issues |
Increased institutional adoption; development of
curriculum standards for AI + music; advocacy for policy and regulation
around AI in arts education |
|
AI-assisted creative and
teaching tools (interactive, technological integration) Williams et al. (2020) |
Enhances accessibility,
enables creative and interactive music lessons, supports technological
fluency |
Institutional challenges:
resource allocation, integration into curriculum, balancing tradition with
innovation |
Universities likely to
increase AI-integrated music courses; development of hybrid classical-AI
curricula; focus on preparing students for contemporary music industry |
3. Methodology
3.1. Research design
The research design is a mixed-methods one as both qualitative and quantitative research methods are combined in this study in order to have a thorough picture of AI-generated compositions in music education. The qualitative aspect will involve forming the experiences of educators and students on using AI tools, including the impressions of creativity, learning, and pedagogical change. The information required in this section is collected by using in-depth interviews, open-ended questionnaires and classroom observations. The quantitative facet, conversely, assures the efficacy of AI-aided learning with the help of performance indicators, creativity ratings, and engagement rates prior to and subsequent to the application of AI tools in teaching music. An amalgamation of these methods will make data to be triangulated and this will ensure reliability and validity and will also facilitate the connection of the subjective perceptions and the objective outcomes. The suggested hybrid model would provide a broad view of the effects of AI integration on music creativity, cognition, and teaching actions. At that, it does not only describe the measurable impact of AI in the learning environments, but also the nuances of human experience that accompany the introduction of technology to the creative learning environment
3.2. Sample Selection (Students, Educators, Institutions)
The study sample is a heterogeneous sample which entails various individuals representing various educational backgrounds and settings in music. The secondary school learners, university and music conservatoire trainees are selected to examine the impact of AI-generated compositions on the learning outcomes at different levels of expertise. Teachers (music teachers and professors, the extent of their acquaintance with AI technologies) are the participants, as well, who will receive even more information on the teaching strategy and the perceived and modified level. The traditional music courses and technology-oriented units are the involvements of the institution and, hence, the vision is not biased. The sampling technique is purposive and stratified where the participants are chosen based on their involvement in the music-making or education and willingly use AI tools such as AIVA, Amper Music, and MuseNet. The variety of participants allows having a multidimensional perception of AI reorganizing the dynamics of teaching and learning in various environments. Ethics such as informed consent and data confidentiality is highly observed. The sample size will be used to attain data saturation, which will guarantee the adequacy of the quantitative data as well as qualitative information representing the population besides upholding the research integrity and academic rigor.
3.3. Data Collection Tools
Several data collection instruments are used to collect both quantitative and subjective data. Quantitative research will be based on surveys, which will be distributed to students and educators and help to evaluate their level of familiarity, interest, and perceived benefits of AI-generated compositions. The computers employed in these surveys are Likert scales and open-ended feedback to balance both numerical and qualitative data. Interviews are accompanied by more qualitative data, they pay attention to the participants experience, emotional reactions and creative product of the process of working with AI tools. Semi-structured interviews provide the flexibility of the conversation but consistency in the main themes of the research. The experiments are realized in classrooms, as the participants engage directly with AI composition platforms - creating, analyzing and performing AI-assisted works. Moreover, it draws attention to the ways in which the learning environment with the use of technology could be empirically assessed without sacrificing the creative and interpretive spirit of the musical pedagogy.
3.4. Data Analysis Techniques
Data received is interpreted qualitatively and quantitatively to get a full interpretation. Descriptive and inferential statistics statistical analysis is done on the statistics of surveys and experimental results. The trends in student engagement, level of creativity and learning results are established with indicators of mean scores, standard deviations and correlation tests. The processing of numerical data may be done by means of software (SPSS or Excel, etc.). Qualitative data analysis thematic analysis Transcripts of interviews and notes of observations are analyzed with the help of codes and categorization, which reveal general patterns, sentiments, and conceptual relationships. Thematic analysis and content analysis are some of the techniques applied to interpret the contextual sense of the responses of the participants. The cross-validation of qualitative and quantitative results can be done to ensure the validity of the findings, but triangulation would improve the consistency of the interpretations. The advantage of this two-layered analytical framework is that it is not only statistically accurate but also insightful, hence, the research will not only demonstrate the impact of AI-generated music on education but also explain the reasons why it influences creativity and engagement in this way.
4. Role of AI-Generated Compositions in Music Education
4.1. Enhancing creativity and improvisation among students
The use of AI-compositions is central to the encouragement of innovation and improvisation as it offers students a wide range of musical opportunities and corrective feedback. Contrary to the classical approaches that provided the theoretical education or the supervised practice under the tutor, AI tools provide an open and experimenting environment where a learner can test a limitless number of different musical combinations. Figure 2 demonstrates the AI mechanisms to increase student creativity and musical improvisation. Such systems as MuseNet and AIVA are able to compose the music based on various genres and moods, so students can examine various harmonic patterns, rhythms, and melodies.
Figure 2

Figure 2 Mechanism of AI Support in Developing Student
Creativity and Musical Improvisation
It is due to the interaction with AI outputs that the student is stimulated to experiment: manipulate generated music, mix styles, or include his/her interpretation, thereby establishing an independent creative mode. Furthermore, AI will be able to propose different chords, rhythmic changes, or melodic shapes that will challenge students to be creative and innovate. Improvisation, which is perceived to be a complex skill, becomes easier to approach with the assistance of AI-generated accompaniments, which can adjust to the tempo and style of the learner. This promotes immediate creative interaction between the machine and human being in the form of an energetic musical collaboration.
4.2. Supporting Personalized Learning Experiences
The incorporation of AI in music education has a great impact in the personalization of learning to suit the varied abilities, preferences, as well as the learning speed of the learners. Conventional education is commonly based on normative approaches that might not suit individual innovation or development of talents. Artificially intelligent systems, in its turn, compare the music style of each student, the level of the performance, and their theoretical knowledge to provide personalized feedback and privateized learning tracks. As an example, AI composition programs are able to create compositions that suit the level of the student, i.e., simplifying the rhythms in the case of a beginner or making them more complicated in the case of experienced learners. This plastic ability makes learning challenging and available. Moreover, AI platforms have the opportunity to monitor the progress, determining the strengths and possible areas of improvement and helping educators create more efficient interventions. Individualized suggestions e.g. the choice of genres, tempo or even harmonic variations allow students to listen to music that suits them and broadens their creative boundaries with time. Also, AI can be used to provide self-paced learning, which gives students the opportunity to experiment and write without the input of an instructor. Such independence inspires trustworthiness and further interest. Finally, personalization with the help of AI reinvents music education as a new and personal process, where technical skill and creative identity are cultivated. Through incorporation of adaptive algorithms into curricula, teachers will be able to turn classrooms into inclusion schools where artistic development of each learner is personally fostered and honored.
4.3. Facilitating Composition and Analysis Skills
The compositions that AI creates are effective pedagogical instruments to achieve composition and music analysis skills. Introducing students to algorithmically generated pieces, teachers are able to demonstrate the ideas of harmony, melody, rhythm and structure in the real time and the abstract theory turns into the interactivity. Such tools as Amper Music and MuseNet enable learners to break down and manipulate AI-generated compositions and see the effect of the algorithmic changes on the music results. AI also helps to speed up iterative learning, as the student is able to write, analyze and revise the work in one virtual location and seek immediate feedback on structural or harmonic consistency. Integrating both the accuracy of analytical and the inventive search, AI elevates the process of music composition to the level of a dynamic process of creation, contemplation, and refinement. It is through this kind of integration that not only are highly skilled composers being created but also those who are critically thinking as well as musicians who are able to interpret evaluate and innovate both in human musical structures as well as on the other hand the algorithmic models of music creation.
5. Challenges and Concerns
5.1. Ethical and authorship issues
Among the greatest issues of AI-generated compositions in the field of music education is one regarding ethics and authorship. It is a confusing legal and philosophical question to establish ownership of AI-assisted works: who is the composer of the piece, the student, the teacher, or the algorithm? Because AI systems, such as AIVA and MuseNet, are developed on the principle of creating content relying on enormous data bases of already existing music, the issues of originality, copyright violation, and originality of creative works arise. These systems tend to be educated through the analysis of the copyrighted material, therefore, turning the line between the inspirations and imitations thin. Educationally, students need to be mentored to understand the ethical consideration of the use of AI-generated music and how between creation and curation. Also, academic integrity is endangered by the situation when the student presents the AI-produced works as his personal ones without considering the role of the tool. The institutions would, therefore, need to formulate explicit attribution, ethical, and transparency policies in AI-aided creation. The other issue is that of cultural bias, since AI tools that are trained on the databases of Western music might override non-Western culture, which in turn will support cultural homogenization.
5.2. Potential Dependency on Technology
Since AI improves learning it is a threat of the technological addiction of students and teachers. As AI can simplify such intricate musical processes as harmonization, orchestration, or even rhythm writing, students may gradually rely on algorithms rather than learn the basics of compositional or analytical skills. Over reliance can suppress creativity and learners will be brought down to passive consumers of machine generated content people, rather than creating. This quandary is comparable to a larger problem on the plane of online education in which convenience is likely to dominate over critical discourse. Also, the impossibility to get out of the perfection by AI could set unrealistic expectations of art that would not allow experimentation or endorse error by humans which is essential in cultivating the creative skills. Educators may also lose their role as teachers by accidentally using AI to plan or assess a lesson and lose their freedom. The threat is not associated only with the loss of skills, technology failures, data security, or bias of software, which could result in the interruption of the learning process. Therefore, there is a high need to encourage the balanced programs that could integrate AI as a secondary help of human teaching and imagination, instead of an alternative.
5.3. Striking a Balance between the Human Creativity and the Algorithms
The key issue of human creativity and algorithmic generation is one of the greatest problems of the modern music education. The artificial intelligence systems can generate music of technical depth, yet they lack the amount of emotional instinct, of situational sensitivity and expressiveness which are central to the artistic expression of humans. The problem of AI may outperform personal expression and make students adopt algorithmic aesthetics because of the lack of attention to this issue unless the position of AI is assumed thoughtfully. Teachers should, therefore, ensure that they create a setting in which AI is seen as a partner and not a replacement. Educational institutions ought to discourage students to accept and transform AI-generated work as creative stimulants but not as finished products. Such a transformation turns AI into a mirror, and by encouraging learners to doubt what makes human music unique in a machine creativity era, it will be possible to consider how to contextualize it. Also, this balance enables saving emotional authenticity and cultural diversity, though algorithms are not able to recreate them.
Figure 3

Figure 3 Model of Balancing Human Artistic Input with
Algorithmic Music Generation
Teachers are extremely important in positioning AI as an extension rather than substitution of human potential. Figure 3 presents a balance between the human input and the algorithmic music generation. Institutions may foster critical awareness, as well as technical competence by inserting philosophical discourses on creativity, emotion and authorship in music training programs.
6. Case Studies and Practical Applications
6.1. Examples of AI tools used in classrooms
Over the past few years, a number of AI-based platforms are already implemented in the classroom of music classes and have reshaped the manner of composition, analysis, and perception of music by students. Amper Music, in particular, offers a simple interface with which a learner is able to create a friendly soundtrack by choosing genre, mood and tempo. It enables students to immediately feel the impact of alterations to the musical parameters to the overall feel of a composition, and support theoretical understanding by practical discovery. Another popular tool that is used to teach composition and orchestration is AIVA (Artificial Intelligence Virtual Artist). Its capacity to produce symphonic or film-like works introduces the students to the complicated harmonic techniques and prompts them to analyze the logic of AI compositions. MuseNet is an extension of this practice created by OpenAI, producing a multi-instrumental music in many genres, such as classical, jazz, pop, and it allows cross-genre analysis and creativity. These tools are applicable in classrooms, and it may be used to encourage individual and group work when students develop AI-aided work and contrast human and machine creations.
6.2. Analysis of Student Engagement and Learning Outcomes
Case-studies indicate that introduction of AI-generated composition tools has a huge increase in student engagement and learning in music education. In communication with AI systems, learners are more motivated, more curious, and ready to be creative in their experiments. In comparison with conventional lessons based on theories, AI-enabled systems provide immediate feedback and engagements that facilitate the perception of abstract musical ideas as something concrete and easy to relate to. As an illustration, Amper Music or MuseNet users claim to have a higher degree of confidence when composing because they are able to visualize harmonic progression, manipulate the melodic structures, and review the results immediately. This practical interaction fosters independence and ownership to the creative procedure. The quantitative research results of classroom trials show results as far as the musical analysis, creativity scores, and structural harmony learning are concerned. In addition, collaborative AI initiatives improve learning among the peers, since students engage in discussing and evaluating the outputs of algorithms and develop critical thinking and aesthetic awareness.
6.3. Educators’ Perspectives and Feedback
The attitude of educators towards the introduction of AI-generated compositions in the music education process can be characterized as mostly positive but subdued. Most teachers admit that AI applications such as AIVA and MuseNet can be used to increase the effectiveness of the instruction process since they introduce dynamic teaching assistance that facilitates boring theorems. With the examples created by AI, teachers have the opportunity to present chord progressions, modulations, and variations of style in real-time, which was formerly only possible through live demonstration or pre-recorded material. There is also more participation in the classroom where teachers testify of more participation of students who were not initially attracted to the theory of music and those who were intimidated by it. Nonetheless, other teachers are worried about academic honesty and the ability to make students be critical instead of passive consumers of the algorithm. Pedagogically, teachers insist on the necessity to portray AI as the helper instead of the authority and to make students review and improve the machine-made compositions. In their feedback, teachers emphasize the significance of professional development, which prepares educators with the technical competencies accordingly needed to stand a chance in using AI in their learning programs.
7. Conclusion
The introduction of AI-generated music within music education represents another step forward toward a new phase of creative pedagogy the one that will eliminate the gap between human creativity and computational intelligence. The students and teachers can access an active learning process, which facilitates exploration, innovation, and critical thinking regarding music structures with the help of the latest technologies, such as AIVA, Amper Music, and MuseNet. The given research also brings to the fore the reality that AI does not just enhance creativity and improvisation, but also tailors the learning experiences and develops compositional and analytical skills. Making music more democratic, AI would allow students of different backgrounds to be involved in artistic productive process, regardless of the technical abilities and mastery of instruments. However, such critical aspects as authorship, originality, and dependence on technology are also presented in the study. Prominently developed compositions can be created with the help of AI, yet not as emotional as human capabilities, or context-sensitive. Therefore, it is significant that teachers should be in a position to train learners to use AI as a teamwork tool, as one that augments the human creative process, and not to kill it. This kind of balance will imply that technological advancement will not serve as a restraint in the advancement of art.
CONFLICT OF INTERESTS
None.
ACKNOWLEDGMENTS
None.
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