PSYCHOANALYSIS OF SCENES THAT TRIGGER ALCOHOLISM AND SMOKING IN THE PAN INDIA FILM KGF 2

Psychoanalysis is a clinical treatment approach for psychopathology. Sigmund Freud used it to treat his patients by interpreting dreams and unconscious desires. It was later applied to film as a psychoanalytic film theory Margolis (2013). Many film theorists and critics support this theory because cinema has an irrational relationship with the spectator's subconscious. Neither view nor Psychoanalytic film theory can describe the film spectator's unconscious Allen (1999). The fiery treatment of heroic booze and smoking moments in the Pan-Indian Film KGF 2 affected many viewers unconscious. These scenes include powerful temptations that are suppressed over the spectator's psyche's shadow archetypes (dark or hidden personality); a suitable symbolic order (Lacan) is required to unveil persona archetypes (mask or reveal character). The film requires psychological investigation. Although many theorists have contributed to psychoanalysis theory, the researcher favours Carl Jung's psychoanalytic cinema theory of archetypes and the collective unconscious. The researcher uses purposive sampling to select KGF-2 as the sample. Smoking and alcoholic scenes were analysed using qualitative and quantitative content analysis (duration of consumption, consuming scene description, the character consuming, and the sense that suppresses the consuming behaviour overshadow archetypes), and five fellow scholars participated in a focus group discussion to interpret those scenes (scene interpretation and capacity of consuming behavior). Finally, the outcome was assessed using shadow archetype variables (desire, violence, heroism, joy, power, and so on) that were suppressed by the film sequences.


INTRODUCTION
Alcoholism and smoking are now much more common than they ever were. Films now feature more drinkers and smoking scenes than ever before. Real-life smokers and drinkers and alcohol and smoking material in movies go hand in hand. Many viewers are influenced by film to consume them Dickinson (2012). According to Jacques Lacan, a person's ego develops when they first view themselves in a 3 necessary. The "psychoanalytic film theory" of Carl Jung served as the researcher's theoretical foundation for the study.
The drinking and smoking scenes in the movie are validated using qualitative and quantitative content analysis, and the scenes are interpreted using focus groups. The researcher validates the situations that cause this behavior using the shadow archetype variables (lust, anger, greed, self-pity, etc.). The initial technique of "Psychoanalytic Film Theory," which focuses on the culture and myths surrounding films and how they arise from them, was "Cultural Myth Analysis" M.D. (2016). Movies like "KGF 2" also promoted smoking and alcoholism as cultural standards.

METHOD
The research methodology included qualitative and quantitative content analysis and focus group discussion. Content analysis is used to examine alcoholic and smoking content scene by scene. It is also applied to collect data about triggering scenes' duration, time code, shots, screen presence, description, character consumption, and the sense that suppressing the behavior overshadowed the archetype. A focus group discussion was applied to interpret the scenes according to the shadow archetype variables (fear, anger, lust, etc.) and analyse the forces shaping the consuming demeanor. The focus group discussion has five members: Santhanu, Nivethitha, PoomariThilagam, Augustin, and Nabeel. The impact of the scenes is measured by reconciling the data from content analysis and focus group discussion. The effect was the scene's ability to suppress the shadow archetype's smoking and drinking habits.The impact was calculated at four levels. Negative impact: These scenes unconsciously create hatred, disgust, or the virtue never to consume them.
Low impact: There is no suppression of the shadow archetype in these scenes. Medium impact: These scenes never give strong suppression but get the already consuming spectator closer to the character. Extreme impact: These scenes can strongly suppress shadow archetype behavior, revealing the persona archetype at the relevant or supportive symbolic order. Some letters are used as symbols in the data analysis. They are (M) the main character, (S) the supporting character, (B) the background character, and (I) the indirect consumption of alcohol or smoking, like having it in hand or near the character but not consuming it. Some scenes make the audience imagine what the character is consuming. This type of scene is also included in indirect consumption (D), the direct consumption of alcohol or smoking. The researcher reconciles all the collected data and finds which character suppresses more addictive behavior. Because the audience identifies itself more closely with the main characters than the other characters, he also found which emotions or senses (anger, desire, violence, and vice versa) were mostly suppressed. Because when spectators feel any senses or emotions in real life, the suppressed behavioral appetite rises to consciousness and searches for the relevant symbolic order for the reveal. Then he assesses the scenes' impact level to determine whether the film has a strong capacity to suppress addictive behaviour over the shadow archetype.         Result: Extreme impact scenes are the majority in scene numbers, duration, shot numbers, and screen presence. There was not even one negative impact scene to compensate for the vigor of Extreme impact scenes. So, it injects the brutal impact of smoking behavior over spectator's Shadow Archetypes. But the revealing of behavior over Persona Archetype depended on the symbolic order of every individual spectator, which the Author can't analyze. But he strongly suggests that the film strongly impacts smoking behavior over the spectator's psyche.       Result: Extreme impact scenes were more than others in scene number, duration, shot number, and screen presence. Negative Impact scenes can't compete with Extreme impact scenes. Thus, it has a devastating impact on the spectator's Shadow Archetypes. The injected alcoholic behavior in shadow archetypes was revealed in Persona archetypes when the symbolic order (family, friends, peers, etc.) is supportive of the behavior. But the researcher can't analyze the symbolic order of every spectator individually. But he confirms that the movie's alcoholic scenes strongly impact the spectator's psyche.

FINDINGS
Alcoholic and smoking behavior strongly suppressed the spectator's shadow archetype. This is because the majority of the film contains scenes of extreme impact. The spectator's Shadow Archetype is conscious. They are aware of the psyche's dark primal instinct. But they are afraid or ashamed to reveal it because of the symbolic order (family, friends, peer group, etc.). However, when the symbolic order is supportive of or relevant to the Shadow Archetype's dark instincts, any harmful behavior is revealed to the persona without any restrictions. Symbolic order depends on the spectator's individual life, which the Author cannot analyze. But he demonstrates that the film induces effective alcohol and smoking behaviors in the audience's psyche.
The main character Rocky has the most smoking scenes, with an Extreme Impact of 15 scenes, 8 min 34 sec of duration, and 57 shots. His direct smoking screen presence was 4 minutes and 10 seconds. The characters in the film smoke for heroism in 13 major scenes totalling 8 minutes and 15 seconds and 49 shots. The shadow archetype's sense of heroism was strongly imposed by smoking behavior. So, spectators feel a temptation when they sense heroism in their lives. The secondary, strongly imposed senses were thought process, violence, control, and anger. The major smoking scene was a direct smoking scene with 22 total shots and a duration of 10 minutes and 7 seconds. The overall smoking scene had a rating of 27 with 82 shots and 11 minutes, 16 seconds of duration.
The Rocky character and the supportive character Andrews have the majority of the five alcohol-consuming scenes. But Rocky has more duration and glorification shots than all the other characters. Rocky is drinking 35 shots in 8-minute, 8-second scenes. His direct alcohol-consuming screen presence was 2 minutes and 50 seconds. So, he has the major, extreme impact scenes to incite the audience's psyche. The majority of the heroic sense induces alcoholism through the shadow archetype. It has a total scene number of 4 with 34 shots and 8 minutes, 5 seconds of duration. Vengeance, joy, accomplishment, sadness, laziness, and desire were the secondary majority of emotions induced. The indirect alcohol-consuming scene was the majority. It has a total scene number of 10 with 34 shots and 11 minutes, 5 seconds of duration.

CONCLUSION
Carl Jung's psychoanalytic film theory explains how a film imposes alcoholic and smoking behaviour on the spectator's psyche. By analysing KGF 2, the researcher reveals the dangers of shadow archetype-suppressed addictive behaviour. The researcher did not seek to denigrate the filmmaking, but rather to highlight the harmful imposition of drunken and smoking behaviour on the minds of the viewers. A pan-Indian picture like KGF-2 has more extensive power to impose